Zone du titre et de la mention de responsabilité
Titre propre
Silent Film Music Collection
Dénomination générale des documents
- Textual records
Titre parallèle
Compléments du titre
Mentions de responsabilité du titre
Notes du titre
Niveau de description
Collection
Cote
CA ON0034 30-012
Zone de l'édition
Mention d'édition
Mentions de responsabilité relatives à l'édition
Zone des précisions relatives à la catégorie de documents
Mention d'échelle (cartographique)
Mention de projection (cartographique)
Mention des coordonnées (cartographiques)
Mention d'échelle (architecturale)
Juridiction responsable et dénomination (philatélique)
Zone des dates de production
Date(s)
-
[c.1893-1946] ; 2014 (Publication)
Zone de description matérielle
Description matérielle
2.734 m of textual records
Zone de la collection
Titre propre de la collection
Titres parallèles de la collection
Compléments du titre de la collection
Mention de responsabilité relative à la collection
Numérotation à l'intérieur de la collection
Note sur la collection
Zone de la description archivistique
Historique de la conservation
Little is known about the original compilation of this collection. Originally held at Library and Archives Canada (LAC), professor and musicologist Paul Merkley consulted, in 2012, several boxes of uncatalogued, un-inventoried music of unknown provenance but known to have been used for the accompaniment of silent films in central Canada. Many sheets are stamped with A. E. Witham, A. E. Witham Quebec and A. E. Witham Violinist Toronto, a musician who lived and worked in Quebec and Toronto. LAC staff member, Gilles Leclerc, asked if the University of Ottawa Music Library at the time would be interested in taking the boxes off their hands. The music librarian, Debra Begg, and Paul Merkley agreed immediately.
In the Winter 2014, Paul Merkley gave a seminar course at the School of Music, built around the collection. This resulted in the initial cataloguing of the titles, two interviews with descendants of silent film musicians, and a screening of the 1927 silent film The Cat and the Canary with small orchestra made up of students. With the assistance of the Library and Audiovisual Support Specialist, Roxanne Lafleur, and use of RefWorks, a citation management tool, students were tasked with generating the metadata in a concocted schema using the MLA citation style supplemented with 14 new fields to capture such information as handwritten inscriptions, stamps, musical genre, etc.
In 2015, the collection was donated to Archives and Special Collections at the University of Ottawa Library, where students Elsa Marshall, Tessa Bangs, and Chanel Jacinthe, hired with funding provided by Paul Merkley, began to review and digitize the collection under the supervision of Roxanne Lafleur. Between 2023-2025, Roxanne Lafleur (Digital Humanities and Support Specialist) supervised the scanning of further music sheets from the collection, with aid from high school co-op students working at the Archives and Special Collections, and completed the cataloguing process.
In the Winter 2014, Paul Merkley gave a seminar course at the School of Music, built around the collection. This resulted in the initial cataloguing of the titles, two interviews with descendants of silent film musicians, and a screening of the 1927 silent film The Cat and the Canary with small orchestra made up of students. With the assistance of the Library and Audiovisual Support Specialist, Roxanne Lafleur, and use of RefWorks, a citation management tool, students were tasked with generating the metadata in a concocted schema using the MLA citation style supplemented with 14 new fields to capture such information as handwritten inscriptions, stamps, musical genre, etc.
In 2015, the collection was donated to Archives and Special Collections at the University of Ottawa Library, where students Elsa Marshall, Tessa Bangs, and Chanel Jacinthe, hired with funding provided by Paul Merkley, began to review and digitize the collection under the supervision of Roxanne Lafleur. Between 2023-2025, Roxanne Lafleur (Digital Humanities and Support Specialist) supervised the scanning of further music sheets from the collection, with aid from high school co-op students working at the Archives and Special Collections, and completed the cataloguing process.
Portée et contenu
The bulk of the collection is comprised of sheet music for mostly piano or orchestra, published between 1883 and 1946 (approximately a third of which was published in the 1920s) for the purposes of performance during the screening of silent films. Handwritten notes and cues, as well as stamps are found on many sheets, which have been identified. Some of the items are of collections of music specifically written and published for the purpose of motion pictures. Also included are cue sheets and instruction manuals, folders with advertisements, letters from editors, as well as a program for the 2014 screening of “The Cat and the Canary” with small orchestra at the University of Ottawa School of Music, sums up the Silent Film Music collection.
Zone des notes
État de conservation
Source immédiate d'acquisition
Classement
This collection used original number which now corresponds to reference codes, e.g., UO-SFM-0005 = 30-012-F5; UO-SFM-0100 = 30-012-F100. Except for bound collections of music written for motion pictures, identifiers are added for each title; for example, if a sheet music contains two titles, a file is created for each (e.g., UO-SFM-0004 = 30-012-F4). When two titles are printed together, this is noted under 'Accompanying Material' with its identifier and title (e.g., Printed with UO-SFM-0045: Me and the Boy Friend).
Langue des documents
- anglais
- français
- allemand
- italien
- espagnol
Écriture des documents
Localisation des originaux
Disponibilité d'autres formats
This collection has been partially digitized for access [from UO-SFM-0001 to UO-SFM-0523]. Digital copies of PDFs are available by request; please contact arcs@uottawa.ca
Restrictions d'accès
Délais d'utilisation, de reproduction et de publication
Some of the collection exists in the public domain, but copyright may apply. See the individual item level for creators to determine potential copyright restrictions.
Instruments de recherche
Éléments associés
Anderson, Shana. "Ideal Performance Practice for Silent Film: An Overview of How-to Manuals and Cue Sheet Music Accompaniment from the 1910s – 1920s." Master's thesis - Masters of Arts music, University of Ottawa, 2013. [Note: the identifiers provided in this thesis have since been modified]
Marshall, Elsa. "Silent Film Music Research as Local Musicology: A Case Study of Musical Practices and Networks in Ottawa Theatres from 1897 to 1929." Master's thesis - Masters of Arts music, University of Ottawa, 2017
Silent Film Music in Canada - https://omeka.uottawa.ca/silentfilmmusiccanada/ - hosted by the uOttawa Library [This platform was first used by Elsa Marshall in 2017 (thesis) to showcase the work produced; see Ottawa section].
Accroissements
Identifiant(s) alternatif(s)
Zone du numéro normalisé
Numéro normalisé
Mots-clés
Mots-clés - Sujets
Mots-clés - Lieux
Mots-clés - Noms
Mots-clés - Genre
Zone du contrôle
Identifiant de la description du document
CA
Identifiant du service d'archives
ON0034
Règles ou conventions
Statut
Finale
Niveau de détail
Complet
Dates de production, de révision et de suppression
Collection described by Roxanne Lafleur, 2024-2025.
Langue de la description
- anglais