This item consists of a white matchbook with with text on recto: "The Warehouse Bar & Grill," "793 Gerrard St. East" in red letters. The match book also includes text on verso of matchbook including opening hours and "Dining & Dancing."
This file consists of two black matchbooks with texts on recto "Felines elines / a fresh approach," "284 Richmond St. E." in gold letters. The matchbook also includes a design of a cat's eyes and text "Tel. 860-0940" in gold letters on verso.
This item consists of a white matchbook with text on verso "The Rose" and on verso: ""The Rose Café / 547 Parliament St. / Toronto / 928-1495" in pink letters.
This item consists of a postcard with a black and white photograph of Sarah Binns by Martha Keaner. This postcard includes the following text on verso: "Sarah Binns, featured in Tales of Tomorrow: Our Elders by Barbara Halpern Martineau, a 22-minute, 16mm film distributed by DEC Films" and address of studio.
Postcard with facsimile of a suffragette postcard from the London Museum. The postcard includes a woman sitting on a chair with a dark "Starvation" figure hovering over her with text "Waiting for a living wage." This postcard was included in the O.I.S.E.'s women's kit.
This item consists of a postcard with a black and white photograph of a woman standing with a child in a street and selling flowers to two other women. The scene takes place in a street in Paris in 1900. The postcard is addressed to Johanna [Starkey] in Toronto.
This item consists of a picture-postcard of the University of Toronto's Medical Building. This postcard was published in Montréal and Toronto and printed in England.
This item consists of a postcard with a black and white photograph of Club Déjà Vu by Molly Count. The postcard also includes the following text on verso: "Club Déjà Vu, a.k.a. The Blue Jay, Toronto. Déjà vu? You're not kidding! This bar has changed hands more often that [sic] most of its habitues. The friendly staff welcomes you with a snarl." Fireweed productions.
This item consists of a postcard with a black and white photograph of a woman standing at The Cameo Club's entrance by Molly Count. The postcard also includes following text on verso: "The Cameo Club, Toronto. Renowned for its 50's pulp novel atmosphere. If you haven't met anyone by the time the polkas start, drown your sorrows and wait for the Elvis tapes to come on." Fireweed productions.
This item consists of three stamps with a white women's logo, a red maple leaf, several faces in profile in red and white and texts "1929-1970", "Citoyenne à part entière" and "The persons case" in white letters over a blue background.
