Fonds consists of correspondence, reports, papers and a variety of other materials pertaining to the interests and activities of Madeleine Gilichrist. The fonds is divided into nine series according to common subjects, groups, research and events. These include: Midwifery and Reproduction; FRAPPE : Conferences and Papers; Canadian Feminist Issues, Groups and Events; National Action Committee on the Status of Women (NAC) Material; Global Issues and Events; International Conflicts and Peace Initiatives; Voice of Women (VOW) and Women for Mutual Security (WMS) Material; Beijing Women's Conference; and Women for Peace and Freedom.
This fonds contains documents relating the life and work of Zoe Clayton Bieler. It includes personal correspondence, cards, and photographs. It also contains documents relating to her work as a journalist, such as news clippings, press badges, and press photos. There are also photos of her family friends, as well as items from her time as a student at the University of British Columbia, including her undergraduate degree diplomas, her articles written as part of the student newspaper, the Ubyssey, and several of her student papers. There is also information, records, and correspondence from her daughter, Caroline Bieler Brettell, relating to the book she wrote about her mother, "Writing Against the Wind: A Mother's Life History.
This collection consists mostly of photographs used for publishing. The publication is not noted but it was likely National Action Committee on the Status of Women publications "Feminist Action" and "NAC Status of Women News. "The main subjects are young girls and children, working women, women and unions, a health care.
The fonds document Susan Scott’s work on women facing homelessness in Canada. The fonds includes notes and photographs from Scott’s interviews with women seeking shelter and support. The fonds also includes records from presentations, colloquia and forums on related issues. -------- Le fonds documente le travail de Susan Scott sur les femmes confrontées à l'itinérance au Canada. Le fonds comprend des notes et des photographies prises lors des entretiens de Susan Scott avec des femmes à la recherche d'un abri et d'un soutien. Le fonds comprend également des documents relatifs à des présentations, des séminaires et des forums sur des questions connexes.
This fonds consists of textual records and objects related to Nadia Greschuk actions and commitments mostly with the Saskatoon Women's Liberation Movement during the 70s. -- Ce fonds est constitué de documents textuels et d'objets liés aux actions et aux engagements de Nadia Greschuk, principalement au sein du Mouvement de libération des femmes de Saskatoon dans les années 70.
This fonds contains one t-shirt and two posters related to feminist issues, and in particular to the Lesbian Organisation of Toronto. -- Ce fonds contient un t-shirt et deux affiches relatifs aux questions féministes, et en particulier à la Lesbian Organisation of Toronto.
The fonds consists of records related to Ontario Association of Interval and Transition Houses (OAITH), and specifically to the Regional Coordinating Committee to end Violence Against Women. It includes records related to communication between Ottawa Interval House and Ottawa Police, and also communication between (OAITH) and the Ontario Police Commission. This fonds highlights the efforts made to advocate change in the legal process to end violence against women as well as police intervention regarding domestic violence in the 1980s. -- Le fonds comprend des documents relatifs à l'Ontario Association of Interval and Transition Houses (OAITH), et plus particulièrement au Regional Coordinating Committee to end Violence Against Women (Comité régional de coordination pour mettre fin à la violence contre les femmes). Il comprend des documents relatifs à la communication entre la Maison d'intervention d'Ottawa et la police d'Ottawa, ainsi qu'à la communication entre l'OAITH et la Commission de police de l'Ontario. Ce fonds met en lumière les efforts déployés pour préconiser des changements dans le processus juridique afin de mettre fin à la violence contre les femmes, et d’améliorer l’intervention politicère en matière de violence domestique dans les années 1980.
The materials contained in this fonds give an insight of Toronto women’s movement activities in the 1970 to the 1990s. Since the 1970s, Helen Jefferson Lenskyj was involved in several community activist groups. The fonds reflects her commitment to the Feminist Party of Canada at the end of the 1970s and beginning of the 1980s. She taught at the University of Toronto between 1986 and 2007. This fonds emphasizes her work on sexual harassment prevention at the Ontario Institute for Studies in Education (O.I.S.E.), and her involvement with the Centre for Women’s Studies in Education (CWSE), mostly with the subcommittee that she coordinated, which investigated a free-standing women’s studies program. This fonds is also composed of a collection of various posters on women’s issues in the 1970s to the 1990s. -- Les documents contenus dans ce fonds donnent un aperçu des activités du mouvement des femmes de Toronto entre 1970 et 1990. Depuis les années 1970, Helen Jefferson Lenskyj s'est impliquée dans plusieurs groupes activistes communautaires. Le fonds témoigne de son engagement au sein du Parti féministe du Canada à la fin des années 1970 et au début des années 1980. Elle a enseigné à l'Université de Toronto entre 1986 et 2007. Ce fonds met l'accent sur son travail de prévention du harcèlement sexuel à l'Institut d'études pédagogiques de l'Ontario (O.I.S.E.), et sur son implication au sein du Centre for Women's Studies in Education (CWSE), notamment au sein du sous-comité qu'elle a coordonné et qui a enquêté sur un programme autonome d'études féminines. Ce fonds est également composé d'une collection de diverses affiches sur les questions féminines dans les années 1970 à 1990.
"This fonds includes textual records and photographic works related to the artistic work of Judith Lemer Crawley. It offers a complete overview of the artist's artistic production. All of Judith Lemer Crawley's exhibition projects or those in which she has participated are represented. The fonds contains photographs taken by the artist from the late 1970s to the 2000s. The photographic material includes prints (framed or unframed) with dimensions ranging from 20 x 24'' to 8 x 10''. Thus, this fonds reveals the evolution of Judith Lemer Crawley's artistic career, from her first photographic experiences to her most recent shots. The fonds is divided in four series. The first series contains records related to Judith Crawley's exhibitions: Pre-Relations (1979), Relations (1981), You Can’t Hug Kids with Nuclear Arms (1986), Giving Birth is Just the Beginnings: Women Speaks About Mothering (1985, 1986), One in Five… (1993, 1995, 1996, 1997, 1998), The 50s (1997), About Auschwitz (2003, 2004, 2005, 2010), Women’s Daybook Series (2006), Women and Landscape (the silver prints kept in this fonds were printed in Banff in 2014 but never exposed). The second series consists of records related to group exhibitions in which some Judith Crawley's photographs were exposed: Little Shop Gallery Exhibit (1981), Urbanité (2001), and other group exhibits. The third series includes documents related to various activities in which Judith Lemer Crawley participated, such as conferences, workshops, events, publications. Some documents are also related to her teaching duties at Vanier College in Montreal. The series also includes photographs arranged by subject (the subjects having been determined by Judith Lemer Crawley herself). At the end of the series, photographs by artists other than Judith Lemer Crawley, such as Michel Campeau and Pamela Harris, are inventoried. -- Ce fonds comprend des documents textuels et des œuvres photographiques reliés au travail artistique de Judith Lemer Crawley. Il offre un panorama complet de la production artistique de l’artiste. L’ensemble des projets d’expositions réalisés par Judith Lemer Crawley ou auxquels elle a participé, y sont représentés. Le fonds contient des prises de vue réalisées par l’artiste depuis la fin des années 1970 jusqu’aux années 2000. Le matériel photographique comprend des impressions (encadrées ou non) dont les dimensions sont comprises entre 20 x 24’’ et 8 x 10’’. Ainsi, ce fonds dévoile l’évolution de la carrière artistique de Judith Lemer Crawley, de ses premières expériences photographiques à ses plus récentes prises de vue. Le fonds est divisé en quatre séries. La première série contient des documents relatifs aux projets d’expositions réalisés par Judith Lemer Crawley : Pre-Relations (1979), Relations (1981), You Can't Hug Kids with Nuclear Arms (1986), Giving Birth is Just the Beginnings : Women Speaks About Mothering (1985, 1986), One in Five... (1993, 1995, 1996, 1997, 1998), The 50s/La Cinquantaire (1997), About Auschwitz (2003, 2004, 2005, 2010), Women's Daybook Series (2006), Women and Landscape (les épreuves conservées dans ce fonds ont été publiées à Banff en 2014 mais jamais exposées). La deuxième série est constituée de documents relatifs à des expositions collectives dans lesquelles certaines photographies de Judith Lemer Crawley ont été exposées : Exposition Little Shop Gallery (1981), Urbanité (2001), et autres expositions de groupe. La troisième série comprend des documents relatifs à diverses activités auxquelles Judith Lemer Crawley a participé, tels que des conférences, des ateliers, des événements, des publications. Certains documents sont également liés à ses fonctions d'enseignante au Collège Vanier à Montréal. La série comprend aussi des photographies classées par sujets (les sujets ayant été déterminés par Judith Lemer Crawley elle-même). A la fin de la série, sont inventoriées des photographies réalisées par d’autres artistes que Judith Lemer Crawley, tels que Michel Campeau et Pamela Harris.
